“Taylor Swift: The official Party of Releases in Showgirl ”began in Cinemas all over the country for a limited three -day engagement, and the backstage frames of theatrical event and personal comments from SWIFT give fans a greater understanding of the popular album that he promotes.
The program for an hour and a half (presented in cinemas without trailers or other preliminary substances) begins with the fact that SWIFT offers a brief performance and gratitude, and then goes directly into the premiere of a complex musical video for Life of OFHELIA, and then the backders of the filmed video oriented on SWIFT. Most of the remaining 90 minutes consists of semi -static lyrical videos for other 11 tracks from the album “Life a Showgirl”, which is preceded by SWIFT, offering two or three minutes of comments about the inspiration for writing songs in each case.
More BTS shots from the shooting of Ophelia are scattered throughout the program that ends with the entrance videos – while the audience now has a greater understanding of where to look for funny moments that will become lost during the first viewing. (A repeated screening of a musical video at the end is also convenient for any obstacles to the theater who did not believe that part that there were no trailers.)
Discussing the video “Ophelia”, Swift says: “The idea that I came up with a musical video for this was a kind of journey in all these different ways in which periods of time, historically, you could be a dancer … How, as you will be in a public look during the 1800s, when you sit for overcome. Performance.
Indeed, the re-equipment of the time allows the star to take several different characters, including the classic show-game with Marilyn-Monro-Platino hairstyle of Bob, the dancers in the style of the 60s in a nightclub, Esther Williams-beautiful on a swimsuit with a giant ladder and actor Dozens, and on water acute. All these different views appear later in lyrical videos, through brief videos of loops that are launched behind the lyrical excerpts of a giant size.
Serious Swifties will enjoy music videos, and especially abundant backstage personnel, for many familiar faces who fill these scenes. According to her, one of the reasons for her excitement in sharing all this is that “we all gathered together from the tour of the epochs, all the performers that you saw at this stage returned to this music video, as well as many people who worked behind the scenes to create a tour of the era.” This includes everyone, from dancers to production designer Itan Tobman and choreographer Mandy Moore.
This is not a big spoiler to say that the musical video ends with the reconstruction of the cover of the Swift album, mainly immersed in a bath in full glamorous clothes. Many fans may not know that it was borrowed from the classical picture.
For the denouement of the Ophelia video, she “wanted to jointly compare the frame with the cover of the album and it seems like just the same as it, so people look like:“ Oh, so the cover is a link to the picture of Ophelia, and this ending is a link to the cover. ” So, the history of art for pop -fans! “The picture that she refers is a picture of the Shakespeare character around 1850 by Ophelia Ophelia of the British artist Sir John Everett Malays, which depicts a doomed woman, floating and singing in the water, before she drowned, as described by Gertrude, but not depicted in the” Svid “.
“Ophelia drowned because Hamlet was so bad for her head that she went crazy, and she could no longer take him, and all these people simply lit her until she drowned,” Swift explains. But in her version: “What if the hook is that you saved my heart from the fate of Ophelia?
Recognizing that this may sound like “a stupid thing to say”, Swift goes forward and says: “I love Shakespeare … She holds on. This is actually not exaggerated! And I love these tragedies so much. I am so in love with these characters that it hurts me that they die. Now this is the second song when it returned, and (I, how does it die? Of course, the “Love Story”, which allows Romeo and Juliet from the hook.)
There is a deeper value in the musical video than you can first be intuitive spectators. For example, this classical film-music scene in which she and all the dancers wear bathing caps and carry life lifeguards … She celebrates the famous star of the film “Swimming” Esther Williams, now there will be Cineastes, but these are also a link to Ophelia. “Right now we are sitting on the set, as we call our motive inspired by Busby Berkeley, Screen Queen of the 1930s and the 40s, she says:“ And we have it a little like the beach/swimming/pool. This Play of Ophelia. ” The character drowned himself, as noted earlier, but in this film “Muzhs-Dan”: “We have these saving devices, which could prevent this from happening,” she notes with the tongue in the cheek.
Spectators will also learn in the backstage frames, as he created some very beautiful bread. “Oh, I can bake bread … Can it be my bread? Can my bread be in a music video? ” The next day, she is glad to add her impressive role to the set -design. “This is really an exciting day for me like a bakery, because my bread is actually a musical video star today.”
One point that arises in the fact that the dancers study their choreography: the “fate of Ophelia” was actually not played in place to avoid leaks. And therefore, the dancers needed an additional direction from this. “We are in a secret sauce. No one heard this track. Everyone whose hearing in the room is simply clicking. Therefore, I must also be able to inform the dancers: “You must feel it at the moment.”
As the explanation of the song continues, it brings clarity to the fact that it quickly has become a favorite fan of the song “Opalite” and explains two color differences that will be lost for most listeners without writing.
“Opalite is an artificial opal. I always loved Opal; My mother always loved Opal; It looks like our thing – one of our many things, ”says Swift. “And I liked the metaphor of artificial opal (how), you had to make your own happiness in your life. You had to spend yourself in difficult times to get to the positive place in which you are now. And I really liked the idea that the artificial gem of precious stone is also a metaphor for choosing your path to happiness … It did not just happen to you. You had to fight.
Swift is very reluctant to discuss who her songs, returning, at least to her second album, so she is not going to divide the form with this now and discuss real figures that, according to Swifts, are considered in the costs of the “Father Figure” and “actually romantic”. But she gives her context to think about these melodies.
The singer says that her main love for alliteration is why she was involved in George Michael's “Figure”, who is the only interpolation on the album, in her new composition with the same name. She felt that there was a place to work, because “This line in the context of George Michael’s song is romantic, ”but“ I always thought it would be great to use the “I will be your father” line as a hint of a creative letter and turn it into a story about the authorities, as well as the story of young infection and their mentor and how these relations can change over time … and betrayal, wit, as well as cunning and smartness and strategy. In fact, this ends in the situation “who will win” – who is going to overestimate the other? “She does not fully turn to a change in the prospect that occurs in the middle of the text, but says:“ I can communicate with both characters in certain parts of the songField“
As for “actually romantic”, that is, talking about the Internet of pop culture this weekend due to how it seems like a song of the answer to the track of Charli XCX, released last year, she describes this “as a kind of love letter to someone who hates you. Sometimes you do not know that you are part of someone's story, but you. And then there is this moment when it can be so much that it is so. When she became older, she adds: “I just started to look,“ My God … you did so much with this … This is flattering. I do not hate you and do not think about it, but, frankly, we thank you for all efforts. Wow. This is very nice with you to think so much about me, even if it is a negative.
She also falls into the impulse for “canceled!”, Saying that she “wanted to write a song about how you can become wiser for this and how you can become more acute … I definitely judge people much less when I have been under a microscope for so long. I just judge people, based on who I know how their actions, and not any general consensus, in which people are similar, “a step, they are radioactive.” I'm just like: I'm not going to do it.
Sabrina Carpenter does not appear anywhere in this theater program, with the exception of the film -clip of the duet during the ERAS tour. But Swift has something to say about attracting her to the only duo of the album, on the title track.
“We finished writing this, and I said:“ I want Sabrina to sing about it so badly ”… She is well prepared for this career. It is so good in moving by reverse reaction or criticism, or people are unfair to it or disassemble it. She has a character to turn around and use it as fuel … I really feel that she has the same mentality. Kidding? …
Those who produce a “release party” and distribute it did not call it a “film”, but this, of course, is considered one for the purposes of cash receipts. Showgirl is expected without question to reach the top of Gress Weekend, even despite the fact that the album itself is ready to break records for streaming and sales in 2025, based on the results on the first day.
