The October ticket office begins between the stone and the base of the fans. Taylor SwiftThe “Official Party for the Golshek show” will win the weekend after it takes 15.8 million dollars on Friday. USA from 3702 seats. Meanwhile, Drama Duine Johnson “Smashing Machine“It looks tired, walking on the low side of his projections for the debut in third place.
Almost two years have passed since Swift ruled the box office with her concert document Taylor Swift: The Eras Tour, which reached new heights with a weekend of $ 96 million and second in size for the October release. The “official show of show show” will not be the same blockbuster, but this is a more unique event. The release processed by AMC Distribution was announced only two weeks ago, and there was little increase outside the Swiftie Sphere. He must leave the screens after Sunday with a limited three -day mileage. Swift, a career numerological pusher, fixed ticket prices of $ 12, than the national average, but lower than in the main markets. This does not apply to the premium -audience of large formats, such as Dolby, where plugs are supplied with additional responsibility.
In addition to these distinctive factors, the “official release party” also expands the definition of the film. Accepted for the promotion of the recently released 12th studio album Swift, The Release Packages a Music Video, backstage frames and lyrical videos without abnormitative vocabulary for new songs in an 89-minute environment. On social networks, Swift said that dances are “optional, but very inspired.” Her fans come into force for theatrical experience, showing a release for the first weekend from $ 25 to 30 million. It is not surprising: the company, taking into account the audience, held in the field, in the cinema interviewed “A+” among the early spectators.
On Friday on Friday, who got on Stiftie Stampede, “The Smashing Machine” A24 earned about $ 2.6 million. The United States and previously looked at 3345 seats. The biographical film of the UFC-identified by Johnson, which turned a new sheet with the dramatic role of R-Reding, was positioned as the main new issue for this weekend, until the “Official Party of Releases in the Table” has planted its flag in September, as a result of which he received the dignity of premium large audiences with him.
Smashing Machine now hopes to scratch his tracking to a week, which predicted the opening of $ 8 million north. Most likely, he turns out to be the lowest discovery of Johnson as a leader: a low mark, currently held by the thriller of 2010 “faster” ($ 8.5 million). This is a cunning start for drama. With a production budget for $ 50 million, Smashing Machine is associated with the most expensive A24 film, which corresponds to the costs of last year's road film “Civil War”.
A muffled opening for Smashing Machine follows the heartfaller of Johnson and the film colleagues Emily Blunt, as well as spray at the Venice Film Festival, where director Benny Safdi, one of the two brothers who led the A24 hit of 2019, “Uncut Gems”, a prize for the best director. The reviews are positive, although they made a touch after the strong deployment of the festival. But the audience seems to be much less interested in the film, with Cinemascore, a “B-” survey.
Meanwhile, Warner Bros. “One battle after anotherOn Friday, it took $ 3.3 million, decreasing by 43% of its first day. This is the beginning of a good retention for the floor of Thomas Anderson and Leonardo DiCaprio, the epic, increased fantastic from the mouth in the mouth, award aspects and demand for premium-format screening “One Battle”, but even after in the new relay, but in the new but in the new relay. But in the new relay. But in the new relay. But in the new relay. But in the new relay. But in the new relay. But in the new relay. It is still necessary for many more weeks to make a profit in cinemas.
The fall in fourth place, the release of Universal “Gabby’s puppet house: the film” turned out to be a less stable draw, adding $ 1.2 million on Friday and projecting $ 4.7 million. The USA of the second week, which will be a sharp fall of 66%. Family features, as a rule, show stronger legs than it, but the production of the DreamWorks animation does not rotate much theatrical draw from the streaming popularity of the Netflix series on which it is based. It is assumed that on Sunday, $ 21 million until Sunday, the “doll house of Gabby”, quickly slows down.
“Spell: The Last Rites” are still sticking out in the first five, even going out for a month of release. Continuation of horrors Warner Bros. and New Line added $ 1.2 million. USA on Friday for 41% compared to daily gross a week ago. The internal total amount is currently $ 164.9 million. USA.
Also opening up this weekend, the reissue of Disney “Avatar: Water Way”, dedicated on the eve of a three -cell “fire and ash”, throughout Friday amounted to 1.1 million dollars and previously viewed in 2140 places. The reprint received several premium audiences, sharing with Smashing Machine, one battle after another and Taylor Swift. Back in 2022, the first “Avatar” received a similar reprint of the fall on the eve of the “Water Way”, landing at the opening of $ 10 million. The Water Way may not even press a quarter. From this, but the audience is probably less inclined to return to the three-year film than the 13-year-old.
Further, the IFC Films has a terrible indie -“Good Boy” in 1650 places leaving his horror label after good reviews from the premiere of the SXSW festival in the spring. The supernatural feature, filmed exclusively from the point of view of the dog, earned about $ 980,000 on the opening day and seems to make a debut in the lower part of the best 10. The cinema rating turned in the assessment of “B”.
Outside the TOP-10, Focus includes reserved 865 locations for the Anemone debut, a foggy drama with Danel Dale-Luis in his main role in his first role over eight years. The drama, director of the star Ronan Day-Luis and co-author Sean Bin, earned $ 310,000 on Friday and on the opening day and hopes to earn $ 900,000 in her debut. The reviews were not so left the premiere of the film festival in New York last week.
