One cannot but wonder if this is all a complex deception; Checking what Taylor Swift can get away with it. This, of course, is more together with the artistic person, which she built for decades, too cunning and smart to believe in this The life of the dance This is a good album – the one that she claims was much smaller than she wanted to do for years. But here we are.
Although this is most likely proud than an attempt to stretch on us, it is unreasonable to think that, perhaps, Swift, in its zeal at the level of panoptics, read everything that is written that her music is becoming more and more product than art; that her brand has become so flooded by the Kinematographic Universe of Marvel that only the unbending can have any investments; This, despite her Strange interaction with this for Department of torture poets The cycle of albums, it has advanced beyond the need for musical criticism.
And yet I am still desperately trying to believe that there is value in this. And even better, the value outweighs the risks. (All such punk on the Internet, right?) What is put on a card with The life of the dance It is an unintentional or other way (although we know that Swift is not the one who does something by chance), the reflection of the time in which we live, including the normalization of Stan’s culture with inappropriate devotion, the altar of the pop -star, based on historical merits, regardless of the quality of their recent products. Like her, it is difficult to see such an album as something more than quickly giving benefits from it.
This became obvious in 2023 Swift TIME The man of the year, who, as she really believes, was canceled when she denied consent to the vulgar “famous” lyrics of Kanye West, prompting Kim Kardashian to release a conversation between her then husband and swift, which made the latter really approved the song. “Do not be mistaken – my career was taken from me,” she said in this interview.
This probably felt like the end of the world at that time, but this, of course, was not so. Not only is it a striking lack of media vibration on behalf of Swift, but it is mocking a lot of the “abolition culture”, which goes beyond the washing of holes in the fight against fear, instead reduces the severity of the term for real predators, which deserve to pursue them. Swift has re -profiled this as something fashionable in “Abstract!” It is a reflection of the worst associated with the inhospitable social climate of the void. To add an insult to injuries, it sounds like the music of the villain Disney – an ugly summary of “shit of vigilance”.
And we cannot talk about the absence of literacy, not considering Massive incorrect reading of Swift about Charlie XCX “Sympathy is a knife” -Den about how to envy one person can cause all-consuming insecurity, on a “really romantic”. Again, in her desire to rethink, quickly simplifies, and it looks like condescending. (Not to mention the monotonous guitar riffa, which again and again emphasizes how flat these attempts were broken, that he really feels a very “boring barbie.”)
People are always going to think about what Taylor Swift is about. I saw everyone, from Olivia Rodrigo to Ryan Reynolds, swam like inspiration for the “father of the figure”-last recording in his favorite fast canon with power, which, as graciously, demonstrates growth, but this interpolation of George Michael is a lot, to which, and who really does not matter. With the exception of this case, although Swift definitely considers her industry as a vague girl who probably laughs at her while she is engaged in her former, most of us who actually listened to the text of “sympathy are a knife”, know that Charlie was much more frank and thoughtful, expressing the complexity of her feelings about the swift and her shame for the fact that he felt them.
And vice versa, Swift seems to be not ashamed. Personally, it would be a little embarrassing to write a song about a member of my groom with a finely veiled metaphor about superstitions (“wood”), which literally refers to the name of his podcast (and strangely calls Jackson 5 in the introduction of love. Svift, detailing the tests and hardships of her personal life, for a long time was an integral part I created on a great scale, and this is still true;
To some extent, this is inevitable: it is the most famous person in the world and one of the most commercially successful musicians who once existed. No one expects Swift to write about what she wrote about in her teenagers and the beginning of the 20s, but attempts to use the human core of all this on the song, such as the melodramatic “Elder daughter”, is highly void, since the author of the songs uses the Internet, such as the Boomer, which has just seen them on the Facebook membrane (so we all dressed in the Bumomer (we are all dressed in Bumomer (we are all dressed in Bumomer (we are all dressed in Bumomer (we are all the same. / And and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and the and and and and the and and and the and and the and and the and and the and and the and and the and and the and and the and and these are.
The only track on The life of the dance This does not feel like Swift’s modern life, it “destroys friendship”, which affects the loss of a secondary school friend who has committed suicide. He feels sharp in the context of the rest of the recording, but this is on this feature of life; Swift still has an internal part, and she still remembers what it is like to be a normal person experiencing normal things, such as a crushing friend and never told them. At the top of a tight bass walking, this melancholy gaze back makes sense, which, unfortunately, probably serves only for further softening the topic of the record.
In addition to the title track, this look at Swift's Swift's Swift Eras Tour The schedule can never be displayed as such outside the branding. “Often this is not so glamorous to be me,” she complains at Elizabeth Taylor, and “wi $ h li $ t” combines the symbols of status that she thinks that other people want in their poems, Sandwich ShowgirlThe lightest air choir, like a quick sweet, about dreams of an access road with basketball hoops. Promoting the album, the artist has already said that she will not tour for this Because she is “so tired” from the latter – and rightfully so! Although its reasons for this can be unusual, many of us may relate to exhaustion. (In addition, why did she feel the need to make two albums, while among the said tour?)
Tanfggerzhir’s life sees an exciting return to the quick storytelling of stories, which it is not in the epicenter, even allowing. Sabrina Carpenter – a great influence on this album between the images of the 1920s, leading to the thoughts of the Stick and the production of Max Martin and Shellback, which still manages to be erupted by Jack Antonoff over the work Short and sweet And The best friend of man Throughout all this, the lead, albeit with excessive vocal, which is still overshadowed by Swift. (Heaven knows why they did not allow Carpenter to write about this, it would undoubtedly not be very difficult to come up with some best, undercontinued than the “tree.”) The narrative makes a heavy rise, with “you want to ride on ice skates in my veins?” Being one of the first lyrical fragments that Swift teased on the eve of the release of the album, even more proving that she lost sight of what good lyrics were.
Department of torture poets Perhaps he was exaggerated and unnecessarily of verbuses, but the excitement of longing, as “guilty as a sin?” Still worth returning. Despite the great difference in the falls of the bits and texture flows (thus, the eardrum disappears into the post-chorus-saxophone, the only redeemed thing about “honey”), the average average pace The life of the dance Removes even further from the handle of magic swift, which is that there is. The bright light of the bright lights of hyper-capitalism is not for the faint of heart, and even the most formidable can allow it to impede their vision.
She herself said: “You do not know the life of a dancing girl, baby / and you will never go.”
