The crew Slungh House begins to collect pieces when Roddy has a taverner, and the park rotates in a circle.
Photo: Apple TV+
Prior to this fifth season, he brought him closer to the center of action, Roddy, undoubtedly, was the inconsistency among losers in Slung House, a desktop jockey who was holding the court on his computer, releasing Smope Japes in any within Earshot. He seemed to be one person Stator and Waldorf, suffered mainly for his ability to get access to video and sometimes break sensitive databases. He was antisocial and especially useless in this area, but the depth of his narcissism and stupidity was stored in wrap, probably because he was far in the list of important characters. He was a pillow for writers to sit when they needed a comic relief.
However, as a point of view on the entire terrorist story this season, Roddy's character did a lot to establish a tone that is much stupid than usual, despite the fact that he began a massacre, which, of course, the most painful sequence that the show made. And although the episode of this week promotes the action with a satisfactory pop music, especially the scenes of “blocking” in Slungh House, Roddy became such a cartoon of dull vanity that he begins to feel a little not in the leg with the rest of the actors. Of course, he is not an agent in Slungh House and does not adhere to the same standard of competence (or semi -competence) in this area, since he is really simply useful, as is the annoying technical Savant of the office. But his behavior during his interrogation with the edges of the taverners is too far from absurdly ineptly.
At the end The last episodeRoddy was picked up by Park Regent for his connection with the flow of terrorist measures throughout the city, while Flyte and the team of other agents keep the rest of the Slute House gang under the castle. Roddy throw 8, skillfully called The Fright Cube, but if he was stamped by his steel conclusion, he decided not to give his kidnappers the pleasure of seeing him. On the contrary, he bounces around the cage, like an excited animal zoo, putting a steel steel to work for his invisible audience of predatory agents. He behaves as if he is the main character of one of his favorite militants. “Not a prison that can keep me is not built,” he says. “The only prison that I am afraid is a prison of the mind, and I broke out from this year ago.” And when the tavern finally enters the room, he imitates Anthony Hopkins in Silence of lambs: “Welcome, Clarisa.”
The creature of Taverner’s questions is convincing, because it connects him with an invisible community that was produced by the arrow of Ebbotsfield and, in the visible, other evil, lonely, cruel young people. She waves away from his perseverance that his relationship with Tara is genuine, because it obviously does not correspond to the model: “You are not Lotario,” Taverner tells him directly. “You are not James Bond. The history of your relationship consists of a series of deeply awkward, prematurely terminated meetings, followed by periods of intense needs and border harassment until you are blocked. ” Kristen Scott Thomas, an actress who is dripping contempt with xenomorph blood acidity, does not want to spend time on Roddy's romantic error. The situation is too urgent.
Nevertheless, the revelation that she ultimately comes out of it is so amazing that it strains trusting. Roddy, it seems, cannot think about something relevant or connected with Tara, until he recalls the time that he demonstrated by hacking the Mi5 database, and then left her in the same room for 20 seconds to pick up pizza. This is a rather relevant detail, Roddy! People often lie to themselves in order to hide painful truths, as, say, believing a woman whom everyone considers deceived, you are actually amazed by you. But in order to treat confidential information, this is a quail, before someone, now suspected of assisting the terrorist group, is a little stupid.
It is also a massive safety violation that expands the gap in the competence between Roddy and its cohorts in Slung House, which are usually erroneous to such an extent of underestimation. With Flight and her team, led mainly to Devon Wells (Cherrele Skete), who is entrusted with holding Slau -House in wraps, then the lamb and the company find out how to free themselves from the restriction of the park. There is one comically failure of the river to use his phone in the near future to keep Shirley in the field. But when he was written on the spot at his table, Lamb turns to his one reliable weapon, his wicked meteorological and to withdraw the escape plan.
After Lamb returns from the fact that he gasped the path to escort to the bathroom below, two important events occur in a short time. Still listening to the podcasts under his sweatshirt, COU offers a sound working theory that ominous forces are entering a step -by -step “destabilization strategy”, which began with an incident with Ebbotsfield and continues with other destructive actions such as multiple automobile engines exploding from unclear fuel on the streets of London or explosion -security an attack on Zoo Penguins. The next step, as COU suggests, is a political murder, which now exposes the risk of both candidates for mayor. With this threat in the air, Lamb holds a court with a story about a tragic session, a friend under Stasi, so exciting a fairy tale that he is able to hypnotize his abductors and persuade his people to a coordinated uprising on Wells and other agents in the room. This works to such perfection that even Lamb offers them a rare, switched compliment: “You really paid attention to one time.”
The Slung House team is now released to withstand the next step in the terrorist scheme, Slow horses He goes to the back half with a large strong impulse. Aside from Roddy, the conspiracy itself was as confident and clear as always, and the rivalry between Slau -House and the park hopes to go to the discovery again. And with Roddy in the wrappers in the park there is his own resident idiot, Claude Willian, ready to be in the spotlight.
“I don't understand. Why are all these burning cars still on the road? ” It is funny that Wylan, the first table in the park, should explain everything as he, like six -year.
• Shirley, so that the lamb, after he allowed a particularly ill -fated fart to fill the room: “As if you have a grave of a beggar in your mutation.”
• Roddy is trying to impress the taverner during the interrogation: “I have a lot The name of the war: Clint Wolf, the Dragon killer, the tripod is a human, true king of Gondor. Sometimes, Ice Monroe.
• Despite the fact that Gimball and his wife are villain as right agitators, there are many equal capabilities of the mayor of Jaffrey, which appears at every event with a canned political language and sticky shades, such as “make London Londoural again”. The fact that the fuel science fiction writer turns out to be the son of Jaffrey is quite a turn, not least because this is an example of an evil child who enters climatic actions, his father does not have the desire to contact. “Plastic politician,” the child calls him.
