If I wrote a song about Travis Kels, a man whom I have never met, I would mention that he is playing footballAnd that he has a podcast. I would note that he is going to marry Taylor Swift, and that they seem to be very happy together. I could also turn on the line about how Kels seems cheerful; He has a good atmosphere. If I really had reached – and I would have almost certainly been, because, again, I do not know him – I would resort to the main physical descriptions. It is tall and has noticeably big hands (great for catching balls). In addition, it is quite hot.
These aspects, and, by the same, are one – these are those on which it stops in “The life of the danceHer twelfth studio album, which came out on Friday. “The desire for your team, your team, your vibrations,” she sings in “Judge of Ophelia”, which also includes a passing link to Kels, using his “megaphone” – aka his podcast, “new heights” – publicly express his interest, after that, after that Eras Tour Show in 2023. In Wi $ H Li $ T, Swift says that she “gave wishes to all the stars” for someone like Kels: “Please, God, bring me the best friend who, I think hot.” The next song, “Wood” –Sabrina Carpenter-Sk in Content and Jackson 5-like sound, in the point, one long joke. (Well, no What Long: After two minutes and thirty seconds, Wood is a technically the shortest track on the album.) “Redwood tree, it is not difficult to see / his love was the key that opened my hips,” she sings. At some point, she suggests that Kelce reached “new heights of masculinity.” (“The singing of the Penis of Travis Kels over Jackson's model 5 must return you like a frantic dog”, one person wrote on X.)
When Swift first announced that she had made a new album – in Guest appearance On the podcast of Kels, which he leads the leader with his brother, back in August, she said that the music came from the “most contagious joyful, wild, dramatic” period of her life. On her career, she was at a peak: she began to write a record while she was still on the Eras round. But she also referred to her relationship with Kels. Swift described his public attempts to care for her, adding that “this is what I wrote songs about the desire to happen to me since I was a teenager.” After they finished the recording of the podcast, Kels offered Swift in the backyard.
I must admit that when I heard about the engagement, I immediately wondered what this would mean for her music. I completely agree that this is a vivid example of how we think about artists less as real people than as entertainment. And this is what I expected that Swift would spend more time fighting on Showgirl, which she declared as a backstage look at the pressure of the performer. Swift is the most commercially successful musician in alive, and at best it may seem that he may seem restorative, and at the worst – feminine, to assume that her love life will have any quality of her work. She spent the first years of her career, struggling with a “crazy” image, largely movable media and her wipers, which she will continue to ridicule in the “empty space”, her song about her “long list of former lovers”. And yet these men were not just her guys; They were her muses. She is a master of telling personal stories, forcing them to sound convincing and, most impressive, forcing them to feel attractive. This is often achieved due to the heavy use of metaphor: a person who is beautiful inside and outside is a “mansion with a view” (“delicate”); The decomposing relations for long distances are captured thanks to the “rust that grew between phones” (“Maroon”). Some suggest that “wood” is a riff on the viral 2021. tweet Styaph Swift wrote a style of writing songs in which the user joked that Swifties must be horrified when Ariana Grande “sings about sex and does not write it as“ he put his long tree in my Redwood forest and allowed his juice to enzyme my roots. ” “
She always had an instinct for the narrative, therefore it is amazing that, since Swift and Kels have become more serious, the story that she spoke about him remained to a large extent the same. In “So High School”, one of her first songs about him, she sings: “You know how to pamper, I know Aristotle.” A little more than a year later, when she published about their engagement on Instagram, she signed mail “Your English teacher and your gym teacher enters into marriage.” These are the roles that they accepted when Swift went to Podkast Kels. At some moment, Swift described some of her music as “esoteric.” “She is so hot when these loud words say,” Kels said. Swift is a slightly annoyed look: “You know what esoteric means!”
Before Kels, Muse Swift was Joe Alvin, a British actor who, it would seem, is so kind and modest in real life that he continues to receive typical films as a sexual predator. (“Boy erased”, “”Types of kindnessAnd, depending on your interpretation of the scene, which occurs outside the screen ”,“Brutalist. “) Alvin is an alleged source of inspiration for” Delicate “,” magnificent “, and other songs about love for” reputation “, which, despite the fact that it was created as an album of revenge, is probably the most romantic recording of Swift, as well as many tracks for its subsequent Lover album. (“I loved you for three summers, dear, but I want everything,” she sings, on the title track.) Alvin and Swift were still met when she made “folklore” and “Evermore”, indie, lyrical masterpieces that she released during Pandemic, and he even helped write several songs. Concert film in the style of the documentary Folklore: The Long Pond Studio Sessions.) Alvin is also considered the author of the songs on Sweet Nothing, one of the most beautiful songs in the SWIFT discography, about a partner who wants nothing but your company in the world, which requires everything else, in the album “Madnights.”
Swift and Alvin broke up in 2023, and, about a year later, she released “Department of torture poets“The album that covered three muses: Alvin, the front is a man of 1975. Matti Khiliand Kelce. The relations of Hilia and Swift, perhaps, were contradictory and short-lived, but I will always be grateful for this, because it led to “guilty as a sin?”, Which could be the only truly erotic song that Swift has ever written. (A track that is dedicated to a feeling of fantasy about someone, with whom you no longer say with anyone, that Swift writes better about fantasy about sex than about the real act of this.) Kels, meanwhile, received the aforementioned “such a secondary school” (“A completely new, full throttle / touch of me when I play“ Bookfound ”) and“ so far, when I touched ”,“ I have touched ”,“ I touched Em -Em / I will refuse clowns, take the crown / child, I am the one who will win ”).